首页 > 图书详情

映照的认知诗学研究:隐喻、象征和讽喻 语言类;专著;文学;语言学 VIP

售价:¥73.5 ¥98
0人在读 |
0 评分
丛书名:
朱瑞青   社会科学文献出版社  2018-12 出版
ISBN:978-7-5201-3687-7

*温馨提示:此类商品为数字类产品,不支持退换货,不支持下载打印

图书简介 目录 参考文献 音频 视频
《白鲸》是美国小说家赫尔曼?梅尔维尔的一篇长篇小说,被誉为美国文学史上第一部真正意义上的“伟大的美国小说”。小说描写了亚哈船长执意追逐白鲸莫比?迪克复仇,却最终自取灭亡的故事。本书从生态、社会政治和酷儿理论三个角度,对小说中的隐喻、象征和讽喻的映照进行了研究,有机结合了读者、文本和社会文化语境,为作品的意义建构提供了一种可以参照的范式,并通过隐喻的连贯性、象征的系统性和讽喻的一致性等因素对阅读的有效性进行评价。
[展开]
  • 文前辅文
  • 前言
  • Preface
  • Chapter One Introduction
    1. 1.1 : Interpretations never end
    2. 1.2 Allegory, symbol, metaphor and literary interpretation
    3. 1.3 Cognitive linguistics and metaphor, symbol and allegory
    4. 1.4 A new model for interpretation
    5. 1.5 Questions to answer
    6. 1.6 Methodology to apply
    7. 1.7 Significance of the study
    8. 1.8 Organization of the book
  • Chapter Two Metaphor, Symbol, Allegory and Moby-Dick
    1. 2.1 Introduction
    2. 2.2 Interpretation
    3. 2.3 Metaphor, symbol and allegory
    4. 2.4 studies: Status quo
    5. 2.5 Summary
  • Chapter Three Mapping and Literary Interpretation
    1. 3.1 Introduction
    2. 3.2 Mapping
    3. 3.3 Literary criticism
    4. 3.4 A model for literary interpretation of
    5. 3.5 Summary
  • Chapter Four Anthropocentricism or Ecocentrism: Ecocritical Reading
    1. 4.1 Introduction
    2. 4.2 Metaphoric mapping: Discourse level
    3. 4.3 Symbolic mapping: From text to nature
    4. 4.4 Allegorical mapping: Ecocritical reading
    5. 4.5 Summary
  • Chapter Five Egalitarianism or Totalitarianism: Social Political Reading
    1. 5.1 Introduction
    2. 5.2 Metaphoric mapping
    3. 5.3 Symbolic mapping
    4. 5.4 Allegorization: A social political reading
    5. 5.5 Summary
  • Chapter Six Friendship or Homoeroticism: Queer Theory Reading
    1. 6.1 Introduction
    2. 6.2 Metaphoric mappings
    3. 6.3 Symbolic mapping
    4. 6.4 Allegorization: A Queer Theory reading
    5. 6.5 Summary
  • Chapter Seven Conclusion
    1. 7.1 Major findings
    2. 7.2 Limitations
    3. 7.3 Future studies
  • Acknowledgements
  • Appendix A: Mapping of Human beings and Nature
  • Appendix B: Social Political Mapping
  • Appendix C: Ishmael-Queequeg: Marriage Mapping
[1]Abrams, M. H. (1989). How to Do Things with Texts. In Doing Things with Texts: Essays in Criticism and Critical Theory. ed. Michael Fischer. New York: Norton, pp.269-96. [2]Andriano, J. (1996). Brother to Dragons: Race and Evolution in Moby-Dick. American Transcendental Quarterly 10 (2): 141-153. [3]Arac, J. (2010). Imperial Eclecticism in Moby-Dick and Invisible Man: Literature in a Postcolonial Empire. boundary 2 37 (3): 151-165. [4]Barcelona, A. (2000). Metaphor and Metonymy at the Crossroads: A Cognitive Perspective. Berlin/New York: Mouton de Gruyter. [5]Bernard, F. V. (2002) The Question of Race in Moby-Dick. The Massachusetts Review 43(3): 384-404. [6]Bezanson, W. E. (1953). Moby-Dick: Work of Art. In Moby-Dick, Centennial Essays, Tyrus Hillway and Luther S. Mansfield, eds. Dallas: Southern Methodist University Press, pp. 31-58. [7]Black, M. (1979). More about Metaphor. In Metaphor and Thought. Ed. Ortony, A. Cambridge: Cambridge Press, pp.19-43. [8]Brandt, L. and Brandt P. (2005). Making Sense of a Blend: A cognitive-Semiotic Approach to Metaphor, In Annual Review of Cognitive Linguistics 3: 216-249. [9]Brittan, S. (2003). Poetry, symbol, and allegory: Interpreting Metaphorical Language from Plato to the Present. University of Virginia Press. [10]Bromiley, G. W. (ed.) (1979). The International Standard Bible Encyclopedia. Grand Rapids, MI: Eerdmans. [11]Brooke-Rose, Christine. (1992). Textermination. New York: New Directions Publishing Coorporation. [12]Brown, Herbert B. (1935). The Great American Novel. American Literature 7: 1–14. [13]Browne, Sir T. (1964). Religio Medici and Other Works. Ed. L. C. Martin. Oxford: Clarendon Press. [14]Buell, Lawrence. (1996). The Environmental Imagination: Thoreau, Nature Writing and the Formation of American Culture, Cambridge, MA: Harvard University Press. [15]Buell, Lawrence. (2001). Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond, Cambridge, MA: Harvard University Press. [16]Buell, Lawrence. (2005). The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. Malden, MA: Blackwell. [17]Buell, Laurence. (2008). The Unkillable Dream of the Great American Novel: Moby-Dick as Test Case American Literary History 1: 132-151. [18]Bynner, W. (1982). The Chinese Translations. New York: Farrar Straus & Giroux. [19]Bunyan, J. (2003). The Pilgrim’s Progress, ed. CJ Lovik. Wheaton: Crossway. [20]Calderon Quindos, M. T. (2005). Blending as a Theoretical Tool for Poetic Analysis: Presenting an Integrational Methodology. Annual Review of Cognitive Linguistics 3, Netherlands: John Benjamins Publishing Company. [21]Calderón Quindós, M.T., & Cámara Arenas, E. (2006). Moons Do not Bleed But Stare: A Cognitive Approach to Larkin’s “Sad Steps” and Plath’s “Edge”. Odisea. Revista de Estudios Ingleses 7: 7-21. [22]Cameron, L. and Deignan, A. (2006). The Emergence of Mmetaphor in Discourse. Applied Linguistics 27(4): 671-690. [23]Carlsen, G. R. (1981). Literature isn’t Supposed to Be Realistic. English Journal 70: 8-10. [24]Charteris-Black, Jonathan. (2004). Corpus Approaches to Critical Metaphor Analysis. London: Palgrave MacMillan. [25]Charteris-Black, Jonathan. (2005). Politicians and Rhetoric: The Persuasive power of metaphor. New York: Palgrave MacMillan. [26]Chilton, P. and Lakoff, G. (1995). Foreign Policy by Metaphor. In C. Schaffner and A.Wenden (Eds.). Language and Peace. Aldershot: Ashgate, pp.37-60. [27]Chilton, P. (2004). Analyzing Political Discourse: Theory and Practice. London: Routledge. [28]Christopher, G. (1959). Literature and the Beginning Teacher. The English Journal 48(6): 321-325. [29]Coulson, Seana. (2001). Semantic Leaps: Frame-shifting and Conceptual Blending in Meaning Construction. New York and Cambridge: Cambridge University Press. [30]Cowan, Bainard. (1982). Exiled Waters: Moby-Dick and the Crisis of Allegory. Baton Rouge and London: Louisiana State University Press. [31]Crain, Caleb. (1994). Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels. American Literature (March 1994): 25–53. [32]Crain, Caleb. (2001). American Sympathy: Men, Friendship, and Literature in the New Nation. New Haven, Conn: Yale University Press. [33]Crisp, P. (2001). Allegory: Conceptual Metaphor in History.Language and Literature 10 (1): 5–19. [34]Crisp, P. (2005). Allegory and Symbol–a Fundamental Opposition? Language and Literature 14 (4): 325–338. [35]Crisp, P. (2008). Between Extended Metaphor and Allegory: Is Blending Enough? Language and Literature 17(4): 291–308. [36]Crisp, P. (2012). The Pilgrim’s Progress: Allegory or Novel, Language and Literature 21(4):328–344. [37]Croft, W. (1993). The Role of Domains in the Interpretation of Metaphors and Metonymies. Cognitive Linguistics 4: 335–370. [38]Culler, Jonathan. (1975). Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. New York: Routledge and Kegan Paul. [39]Culler, Jonathan. (1981/2001). The Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca: Cornell University Press, pp. 198-220. [40]Curtius, E. R. (1953). European literature in the Latin Middle Ages. Trans. W. R. Trask. London: Routledge. [41]Davey, Michael J. (2005). A Routledge Literary Sourcebook on Herman Melville’s Moby-Dick. London: Routledge. [42]Dirven, R. (1993). Metaphor and metonymy: different mental strategies of conceptualization. Leuvense Bijdragen. 82, 1–28. [43]Delbanco, Andrew. (2006). Melville: His World and Work. Vintage: Picador. [44]De Man. (1979). Allegories of Reading. New Haven: Yale UP. [45]Duquette, Elizabeth. (2008). “Review”. Melville and Women. Ed. Elizabeth Schultz and Haskell Springer. Leviathan: A Journal of Melville Studies 10. (2): 92-95. [46]Durer, Christopher S. (1986). Moby-Dick and Nazi Germany. Melville Society Extracts 66: 8. [47]Eagleton, T. (2003). After theory. Cambridge: Basic Books. [48]Eco, Umberto. (1979). The Role of the Reader. Bloomington: Indiana University Press. [49]Edinger. (1995). Explorations in the Semiotics of Texts Bloomington. University of Indiana Press. [50]Evans, V. (2007). The Cognitive Linguistics Enterprise: An Overview. In Evans, V., Bergen, B. and Zinken, Joerg, eds. (2007) The Cognitive Linguistics Reader: Advances in Cognitive Linguistics. London: Equinox Publishing Ltd., pp.1-32. [51]Fauconnier, G. (1985/1994). Mental Spaces. Cambridge, Mass: MIT Press/Cambridge: CUP. [52]Fauconnier, G. (1997). Mapping in Language and Thought. Cambridge: Cambridge University Press. [53]Fauconnier, G. and M. Turner. (1998). Conceptual Integration Network. Cognitive Science 22 (2): 133-187. [54]Fauconnier, G. and M. Turner. (2002). The Way We Think. New York: Basic Books. [55]Fish, S. (1973/1980). What Is Stylistics And Why Are They Saying Such Terrible Things About It? In Is There a Text in Class? New York: Columbia University Press. [56]Foster, Charles H. (1961). Something in Emblems: A Reinterpretation of Moby-Dick. New England Quarterly, Vol. 34 (1): 3-35. [57]Freeman, D. (1993). According to My Bond: King Lear and Re-cognition. Language and Literature 2(1): 1–18. [58]Freeman, D. (1995). Catch[ing] the Nearest Way: Macbeth and Cognitive Metaphor. Journal of Pragmatics 24: 689–708. [59]Freeman, D. (1999). “The Rack Dislimns”: Schema and Metaphorical Pattern in Antony and Cleopatra. Poetics Today. 443-446. [60]Freeman, M. (2000). Poetry and the Scope of Metaphor: Toward a Cognitive Theory of Metaphor. In A. Barcelona (Ed.) Metaphor and Metonymy at the Crossroads (253-281). Berlin: Mouton de Gruyter. [61]Freeman, M. (2002). Cognitive Mapping in Literary Analysis. Style 36 (3): 466-483. [62]Freeman, M. (2005). The Poem as a Complex Blend: Conceptual Mapping of Metaphor in Sylvia Plath’s “The Applicant”. Language and Literature 14: 25-44. [63]Freeman, M. (2005). The Nature of Poetic Texts. Poetics Today 26 (3): 535-547. [64]Freeman, M. (2006). Blending: A Response. Language and Literature 15: 107-117. [65]Freeman, M. (2007). Cognitive Linguistic Approaches to Literary Studies: State of the Art in Cognitive Poetics. The Oxford Handbook of Cognitive Linguistics, pp.1175-1202. [66]Freeman, M. (2011). The Aesthetics of Human Experience: Minding, Metaphor, and Icon in Poetic Expression. Poetics Today 32 (4): 717-752. [67]Freeman, M. (2012). George Eliot and Emily Dickinson: Poets of Play and Possibility. The Emily Dickinson Journal 21 (2): 37-58. [68]Frye, A. (1957), Anatomy of Criticism: Four Essays. New Jersey: Princeton University Press [69]Gavins J. and G. Steen, Eds. (2003). Cognitive Poetics in Practice. London and New York: Routledge. [70]Gadamer, H. G. (1993). Truth and Method, 2nd rev. edn trans. J. Weinsheimer and D.G. Marshall. London: Sheed & Ward. [71]Gentner, D. (1983). Structure-mapping: A Theoretical Model for Analogy. Cognitive Science 7: pp.155-170. [72]Gentner, D. and B. Bowdle. (2001). Convention, Form, and Figurative Language Processing. Metaphor and Symbol, pp.223-247. [73]Gentner, D. and Clement, C. (1988). Evidence for Relational Selectivity in the Interpretation of Analogy and Metaphor. In G. H. Bower, eds., The Psychology of Learning and Motivation, vol. 22: 307–358. New York: Academic Press. [74]Gentner, D., and Markman, A. B. (1997). Structure Mapping in Analogy and Similarity. American Psychologist 52:45–56. [75]Gentner, D., Holyoak, K. J., and Kokinov, B. (Eds.). (2001). The Analogical Mind: Perspectives from Cognitive Science. Cambridge, MA: MIT Press. [76]Gentner, D. and Smith, L. (2012). Analogical Reasoning. In V. S. Ramachandran (Ed.) Encyclopedia of Human Behavior (2nd Ed.). Oxford, UK: Elsevier, pp.130-136. [77]Gerrig, Richard. (1993). Experiencing Narrative Worlds: On the Psychological Activities of Reading. New Haven: Yale UP, pp.1-25. [78]Gide, André’s. (1891). The Treatise of the Narcissus. [79]Gineste, M. Indurkhya, B. and Scart, V. (2000). Emergence of Features in Metaphor Comprehension. Metaphor and Symbol 15: 117–135. [80]Goatly, A. (1997). The Language of Metaphors. London: Routledge [81]Goatly, Andrew (2006). Humans, Animals and Metaphors. Society and Animals (23): 15-37. [82]Goatly, A. (2007). Washing Brain. Metaphor and Hidden Ideology. Amslerdam: John Benjamin. [83]Golding, W. (1954). Lord of the Flies. New York: Putnam Publishing Group. [84]Halperin, David M. (1990). One Hundred Years of Homosexuality, and Other Essays on Greek Love. New York: Routledge. [85]Hamilton Craig. (2011). Allegory, Blending, and Censorship in Modern Literature. Journal of Literary Semantics 1 (40): 23–42. [86]Harding, J. (2002). Call me Ishmael. London Review of Books. 6-11. [87]Heise, Ursula. (1997). The American Book Review 18.5 (July-August): 4. [88]Heise, Ursula. (2006). The Hitchhiker’s Guide to Ecocriticism. PMLA, 121(2): 503–516. [89]Henderson, J. L. (2005). Thresholds of Initiation. Asheville: Chiron Publications. [90]Hermann, S. (2010). Melville’s Portrait of Same-Sex Marriage in Moby-Dick. Jung Journal: Culture and Psyche, 4 (3): 65–82. [91]Hesse, Marié, Robin Lawton. (1988). The New Owl Critic: An Introduction to Literary Criticism. Cape Town: Nasou. [92]Hiraga, M. K. (2005). Metaphor and Iconicity: A Cognitive Approach to Analyzing Texts. New York: Palgrave Macmillan. [93]Hofstadter, D. R. (1985). Analogies and Roles in Human and Machine Thinking. Metamagical themas, pp.547-603. [94]Hofstadter, D. (1995). Fluid Concepts and Creative Analogies.New York: Basic Books. [95]Holyoak, K.J., and Thagard, P. (1989). Analogical Mapping by Constraint Satisfaction. Cognitive Science 13: 295-355. [96]Holyoak K.J and Thagard, P. (1994). Mental Leaps: Analogy in Creative Thought. Cambridge, MA: MIT Press. [97]Iser, W. (1978). The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore: Johns Hopkins University Press. [98]Jacobson, R. (1960). Closing Statement: Linguistics and Poetics in Style in Language ed. Thomas Sebeok Cambridge Massachusetts, MIT Press, pp. 350–377. [99]Jameson F. (1981). The Political Unconscious: Narrative as a Socially Symbolic Act. New York: Cornell University Press. [100]Jameson, F. (1988). Cognitive Mapping. In Cary Nelson and Lawrence Grossberg, eds., Marxism and the Interpretation of Culture. Urbana: University of Illinois Press, pp. 347-360. [101]Jauss, Robert Hans.(1982). Toward an Aesthetic of Reception Trans.Timothy Bahti. Minneapolis: University of Minnesota Press. [102]Kimmel, M. (2005). From Metaphor to the “Mental Sketchpad”: Literary Macrostructure and Compound Image Schemas in Heart of Darkness. Metaphor and Symbol 20 (3): 199–238. [103]Kish, Matt. (2011). Moby-Dick in Pictures: One Drawing for Every Page. Portland: Tin House. [104]Knox, George. (1969) The Great American Novel: Final Chapter.American Quarterly 21: 667–82. [105]Kövecses, Z. and G. Radden. (1998). Metonymy: Developing a cognitive linguistic view. Cognitive Linguistics 9: 37–77. [106]Kövecses, Zoltán. (1986). Metaphors of Anger, Pride, and Love.Amsterdam: John Benjamins. [107]Kövecses, Zoltán. (1988). The Language of Love. Lewisburg: Bucknell University Press. [108]Kövecses, Zoltán. (1991). Happiness: A Definitional Effort. Metaphor and Symbolic Activity 6(1): 29–46. [109]Kövecses, Zoltán. (1990). Emotion Concepts. Berlin/New York: Springer-Verlag. [110]Kövecses, Zoltán. (2002). Metaphor: A Practical Introduction.Oxford: Oxford University Press. [111]Kövecses, Zoltán. (2005). Metaphor in Culture: Universality and Variation. Cambridge: Cambridge University Press. [112]Kövecses, Zoltán. (2010). Metaphor: A Practical Introduction.Oxford: Oxford University Press. [113]Kövecses, Zoltán. and R. Gunter. (1998). Metonymy: Developing a Cognitive Linguistic View. Cognitive Linguistics 9: 37–77. [114]Lakoff, George. and Johnson, Mark. (1980). Metaphors We Live By. Chicago and London: University of Chicago Press. [115]Lakoff, G. and M Johnson. (1999). Philosophy in the Flesh. New York: Basic Books. [116]Lakoff, George. (1987) Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago: The University of Chicago Press. [117]Lakoff G. and Turner M. (1989) More Than Cool Reason. Chicago, IL: University of Chicago Press. [118]Lakoff, George. (1993). Contemporary theory of metaphor. In Ortony, A. (ed) Metaphor and Thought (2nd Ed.). New York, Cambridge: Cambridge University Press, pp. 202-251. [119]Lakoff, George (1994). Conceptual Metaphor Home Page. Published electronically at http://cogsci.berkeley.edu/lakoff/MetaphorHome.html. [120]Langacker, Ronald. (1987). Foundations of Cognitive Grammar,Volume I. Stanford: Stanford University Press. [121]Langacker, Ronald. (1991). Concept, Image, Symbol: The Cognitive Basis of Grammar. Second edition. Berlin: Mouton de Gruyter. [122]Lawrence, D. H. (1923). Herman Melville’s Moby-Dick in Vincent H. P. ed. The Merrill Studies in Moby-Dick. Columbus: Merrill, pp.44-50. [123]Lawson, Andrew. (2012). Moby-Dick and the American Empire. Comparative American Studies. 10(Number): 45-62. [124]Legge, James. (1899) trans. The I Ching: Book of Changes. London: Clarendon Press. [125]Love, Glen (2003). Practical Ecocriticism. Charlottesville: University of Virginia Press. [126]Macauley, D. (1996). Minding Nature: The philosophers of Ecology. New York and London: Guilford Press. [127]Matthiessen, F. O. (1941). American Renaissance; Art and Expression in the Age of Emerson and Whitman. Oxford: Oxford University Press. [128]McCarthy, Colman. (1994). Still Killing Whales in Ed. Melissa Walker. Reading the Environment. New York: Norton, pp.23-25 [129]Melville, Herman. (1967). Moby-Dick. Norton Critic Edition. New York: Norton. [130]Mendoza Ruiz de and Peňa. (2002). Cognitive Operations and Projection Spaces Jezikoslovlje, pp.131-158. [131]Miall, D. S. (2001). Sound of Contrast: An Empirical Approach to Phonetic Iconicity, Poetics 29: 55–70. [132]Miall, D. S. and Kuiken, D. (1994). Foregrounding, Defamiliarization, and Affect: Response to Literary Storie’, Poetics 22: 389–407. [133]Miall, D. S. (2006). Literary Reading: Empirical and Theoretical Studies. New York/Oxford: Peter Lang. [134]Miall, D. S. (2009). Neuroaesthetics of literary reading. In Martin Skov and Oshin Vartanian (Eds.), Neuroaesthetics, pp.233-247. New York: Baywood. [135]Milder, Robert. (2008). A Response to Lawrence Buell. American Literary History 20.1–2: 156-59. [136]Mills, W. J. (1982). Metaphorical Vision: Changes in Western Attitudes to the Environment. Annals of the Association of American Geographers 72. 2. 237-253 [137]Moretti. Franco. (1995). Modern Epic: The World-System from Goethe to Garcia Marquez. London and New York: Verso. [138]Mukarovský J. (1964). Standard Language and Poetic Language, in P. L. Garvin (ed.) A Prague School Reader on Esthetics, Literary Structure and Style. Washington, DC: Georgetown University Press, pp. 17–30. [139]Musolff, A. (2004). Metaphor and Political Discourse: Analogical Reasoning in Debates about Europe. Basingstoke: Palgrave Macmillan. [140]Musolff, A. (2007). What Role Do Metaphors Play in Racial Prejudice? The function of anti-Semitic imagery in Hitler’s Mein Kampf. Patterns of Prejudice. 41 (1): 22-43. [141]Nikolajeva, M. (2010). Literacy, Competence and Meaning-making: a Human Sciences Approach. Cambridge Journal of Education 40 (2): 145–159. [142]O’Halloran, K. (2003) Critical Discourse Analysis and Language Cognition. Edinburgh: Edinburgh University Press. [143]Otter, S. (1999). Melville’s Anatomies. Berkley: California University Press. [144]Parker, Hershel. (1996, 2002). Herman Melville: A Biography, 2 vols. Baltimore: Johns Hopkins University Press. [145]Person Leland S Jr. (1994). Melville’s Cassock: Putting on Masculinity in Moby-Dick ESQ 40: 1-26. [146]Perosa, Sergio. (1983). American Theories of the Novel, 1793–1903. New York: New York University Press. [147]Pilkington, A. (2010). Poetic Effects: A Relevance Theory Perspective. Amsterdam/Philadelphia: John Benjamins. [148]Pragglejaz Group. (2007). MIP: A Method for Identifying Metaphorically Used Words in Discourse. Metaphor and Symbol 22(1): 1–39. [149]Pragglejaz Group. (2010). Metaphor in Practice: Finding Metaphorically Used Words in Natural discourse In: G. Low, L. Cameron, A. Deignan, Z. Todd (Eds.), Researching and Applying Metaphor in the Real World, pp.165-184. [150]Quintilianus, Marcus Fabius. (1972/1975). Marci Fabii Quintiliani institutionis oratoriae libri XII German translation by Helmut Rahn. Darmstadt: Wissenschaftliche Buchgesellschaft. [151]Reynolds, D. (1988). Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. New York: Knopf. [152]Reynolds, J. (2002). Mocha Dick: Or, the White Whale of the Pacific. In H. Parker and H. Hayford (Eds.), Moby-Dick: A Norton Critical Edition (2nd ed., pp. 549-565). New York: Norton. (Original work published 1839). [153]Ricoeur, P. (1977). The Rule of Metaphor. Toronto: University of Toronto Press. [154]Riffaterre, Michael. (1972). Describing Poetic Structures: Two Approaches to Baudelaire’s “Les chats”, in Essays in Stylistic Analysis . Ed. Howard S. Babb. New York: Harcourt Brace Jovanovich. [155]Robertson-Lorant, Laurie. (1996). Melville: A Biography. New York: Clarkson Potter. [156]Rogin, M. P. (1979). The King’s Two Bodies: Abraham Lincoln, Richard Nixon, & Presidential Self-Sacrifice. The Massachusetts Review 3: 553-573. [157]Santa Ana, Otto. (1999). “Like an Animal I was Treated”: Anti-immigrant Metaphor in US Public Discourse. Discourse and Society 10: 191-224. [158]Saussure, de Ferdinand (1955) Course in General Linguistics. ed. by Charles Bally and Albert Sechehaye. In collaboration with Albert Riedlinger. Tr. with an introduction and notes by Wade Baskin. New York / Toronto / London: McGraw-Hill Book Company. [159]Schultz, E. (2000). Melville’s environmental vision in Moby-Dick. Interdisciplinary Studies in Literature and Environment, 7 (1): 97-113. [160]Selby, N., ed. (1998). Herman Melville. Moby-Dick. Cambridge: Iconbooks. [161]Selden, R. (1989). A Reader’s Guide to Contemporary Literary Theory. New York: Harvester Wheatsheaf. [162]Semino, E. and Culpeper, J. (eds.). (2003). Cognitive Stylistics: Language and Cognition in Text Analysis. Amsterdam: John Benjamins. [163]Semino, E. (2008). Metaphor in Discourse. Cambridge: Cambridge University Press. [164]Semino, Elena, and Gerard Steen. (2008). Metaphor in Literature. In Raymond Gibbs, ed., The Cambridge Handbook of Metaphor and Thought, pp.232–246. Cambridge and New York: Cambridge University Press. [165]Shakespeare, W. (1974). The Riverside Shakespeare (Vol. 2). Boston: Houghton Mifflin. [166]Sharp, J. (2008). Geographies of Postcolonialism. New York: SAGE Publications. [167]Shen, D. (ed.) (2008) New Development in Western Stylistics. Shanghai: Shanghai Foreign Language Education Press. [168]Shen, D. (2009) Reflections on Some Issues Concerning Cognitive Stylistics. Foreign Language and Literature 25(1): 1–5. [169]Shen, D. (2013) Stylistics in China in the New Century. Language and Literature 21(1): 93-105. [170]Sinding, Michael. (2002). After Definitions: Genre, Categories and Cognitive Science, Genre Forms of Discourse and Culture 35, no. 2: 181-220. [171]Sinding, Michael. (2005). Genera Mixta: Conceptual Blending and Mixed Genres in “Ulysses” New Literary History, Vol. 36, no. 4: 589-619. [172]Steen, Gerard. (1994). Understanding Metaphor in Literature. Harlow, U.K.: Longman. [173]Steen, Gerard. (1999). From linguistic to conceptual metaphor in Five Steps. In Raymond Gibbs and Gerard Steen, Eds., Metaphor in Cognitive Linguistics. Amsterdam: John Benjamins, pp.57–77. [174]Steen, Gerard. (2002). Metaphor identification: An introduction. Language & Literature, pp.386-406. [175]Stefanowitsch, Anatol, and Stefan Th. Gries, Eds. (2007). Corpus-Based Approaches to Metaphor and Metonymy. Berlin: Mouton de Gruyter. [176]Stockwell, P. (2002). Cognitive Poetics: An Introduction. London: Routledge. [177]Stoll, E. (1951). Symbolism in Moby-Dick Journal of the History of Idea 12 (3): 440-465. [178]Stuart, A. (1959) SYMBOLISM, or Moby Dick has eaten of the Grapes of Wrath, and the children’s teeth are set on edge. The English Journal. 48 (6):321- 332. [179]Stuckey, Sterling. (1998). The Tambourine in Glory: African Culture and Melville’s art in Robert S. Levine, ed. The Cambridge Companion to Herman Melville Cambridge: Cambridge University Press, pp.37-64. [180]Sullivan. (2013). One metaphor to rule them all? “Objects” as tests of character in The Lord of the Rings Language and Literature 22(1): 77-94. [181]Turner, M. (1996). The Literary Mind: The Origins of Thought and Language. Oxford: Oxford University Press. [182]Tsur, R. (1997). Douglas Hodge Reading Keats’s Elgin Marbles Sonnet. Style 31: 34-57. [183]Tsur, R. (1992). Toward a Theory of Cognitive Poetics. Amsterdam: North-Holland. [184]Tsur, R. (1998). Poetic Rhythm: Structure and Performance: An Empirical Study in Cognitive Poetics. Bern: Peter Lang. [185]Tsur, R.(2003). On the Shore of Nothingness. UK. Imprint Academic. [186]Turner, Mark, editor. (2006). The Artful Mind: Cognitive Science and the Riddle of Human Creativity. Oxford: Oxford University Press. [187]Tyson, Louis. (2006). Critical Theory. London: Routledge. [188]Van Dijk. (2001). Multidisciplinary CDA: A Plea for Diversity. In Wodak, R. and M. Meyer. Eds. Methods of Critical Discourse Analysis. California: Sage. [189]Van Dijk and Kintsch, W. (1983). Strategies of Discourse Comprehension. New York: Academic Press. [190]Van Peer, W. (1986). Stylistics and Psychology: Investigations of Foregrounding. London: Croom Helm. [191]Van Peer W, Hakemulder J and Zyngier S. (2007). Lines on Feeling: Foregrounding, Aesthetics and Meaning. Language and Literature 2007(16): 197-213. [192]Valenzuela J. and Soriano C. (2007). Reading Anger Stories: A lexical Decision Task as a Test for the Existence of Metaphorical Representation. In: Ibarretxe-Antuñano I, Inchaurralde C and Sánchez-García JMª (eds) Language, Mind, and the Lexicon, Hamburg: Peter Lang, pp.281–303. [193]Ward S. Miller. (1958). The Allegory in Part I of Hudibras in The Huntington Library Quarterly, Vol. XXI, No. 4, August, pp.323-343. [194]Wellborn, Jane. (1975). Teaching Symbolism. Improving College and University Teaching, 23 (2): 89-90, 92. [195]Werth P. (1994). Extended Metaphor: A Text-world Account. Language and Literature 3(2): 79–103. [196]Whorf, B. L. (1940). Science and Linguistics, Technology Review 42(6): 229-231, 247-248. [197]Yang, Jincai. (2001). Herman Melville and Imperialism: A Cultural Critique of Melville’s Polynesian Trilogy. Nanjing: Nanjing University Press. [198]Yu, Beongcheon. (1965). Ishmael’s Equal Eye: The Source of Balance in Moby-Dick ELH, 32 (1): 110-125. [199]Zhang, L. (2005). Allegoresis: Reading Canonical Literature East and West. Cornell University Press. [200]Zwaan, R.A. (1993). Aspects of Literary Comprehension. Amsterdam: John Benjamins. [201]陈鼓应、赵建伟:《周易今注今译》,商务印书馆,2005。 [202]封宗信:《论文学语篇理解的认知心理学研究》,《清华大学学报》(哲学社会科学版)2002年第1期,第22-27页。 [203]冯小虎:《隐喻: 思维的基础, 篇章的连贯》,对外经贸大学出版社,2004。 [204]郭海平:《〈白鲸〉中人与自然多维关系的伦理阐释》,《外国文学研究》2009年第31(3)期,第34-43页。 [205]韩德星:《谈〈白鲸〉人物形象的“圣经”原型》,《外国文学研究》2000年第2期,第81-85页。 [206]胡铁生、常虹:《对抗与和谐:生态意义上的矛盾与统一——论麦尔维尔〈白鲸〉 中人与自然的关系》,《社会科学辑刊》2008年第4期,第209-212页。 [207]贾婷、张岚:《从基督教原罪思想分析〈白鲸〉中亚哈的悲剧性》,《四川经济管理学院学报》2010年,第79-80页。 [208]马利、涂靖:《语用预设对〈白鲸〉中多重象征意义的阐释》,《北京航空航天大学学报》(社会科学版)2009年第22 (1)期,第52-56页。 [209]刘学金:《海上劳工 鹿死谁手!——比较分析〈白鲸〉和〈老人与海〉》,《延边大学学报》(社会科学版)1986年第1期,第38-44页。 [210]蓝纯:《从认知角度看汉语和英语的空间隐喻》,外语教学与研究出版,2003。 [211]梁晓晖:《 “时间是一个房间”——〈法国中尉的女人〉中时间概念隐喻的认知解读》,《外国语文》(四川外语学院学报) 2011年第27 (1)期,第44-50页。 [212]鲁迅:《集外集拾遗补编·(绛洞花主) 小引》,《鲁迅全集》。 [213]任绍曾:《概念隐喻和语篇连贯》,《外语教学与研究》2006年第38 (2)期,第91–100页。 [214]孙筱珍:《〈白鲸〉的宗教意义透视》,《外国文学研究》2003年第4期,第24-27页。 [215]王立礼:《梅尔维尔与〈白鲸〉》,《外国文学》1994年第4期,第77-82页。 [216]王彦兴:《〈白鲸〉和美国的帝国主义视野》,《四川外语学院学报》2002年第18 (6)期,第66-69页。 [217]项伟谊:《求索于海上:〈白鲸〉与西方文明》,《国外文学》2000年第3期,第73-78页。 [218]熊沐清:《语言学与文学研究的新接面—两本认知诗学著作述评》,《外语教学与研究》2008年第40(4)期,第299-305页。 [219]杨金才:《异域想象与帝国主义——— 论赫尔曼·麦尔维尔的 “波里尼西亚三部曲”》,《国外文学》2000年第3 (1)期,第67-72页。 [220]杨丽:《再读梅尔维尔的〈白鲸〉——魁魁格人物形象解析》,《名作欣赏: 文学研究》第3期,第 77-78页。 [221]易建红:《人· 大海· 启示——以〈白鲸〉 〈海狼〉和〈老人与海〉为例》,《北京第二外国语学院学报》2012年第6期,第48-53页。 [222]张立新:《〈白鲸〉对于美国文学与文化中“白色”象征意义的重新建构》,《外国文学》2006年第3期,第61-69页。 [223]张沛:《隐喻的生命》,北京大学出版社,2004。 [224]张曦:《美国精神与民族寓言——〈白鲸〉主题的深层解读》,《南京师范大学文学院学报》2006年第1期,第102-105页。 [225]张云:《〈白鲸〉的象征意义探析》,《赤峰学院学报》2008年第29 (7)期,第108-109页。 [226]曾繁仁,《人类掠夺自然的悲剧警示: 小说〈白鲸〉重评》,《广西民族大学学报》(哲学社会科学版) 2009年第3期,第 22-29页。 [227]周珏良,《河, 海, 园——〈红楼梦〉 〈莫比迪·克〉和〈哈克贝里·芬〉的比较研究》, 《文艺理论研究》1983第4期,第1-7页。 [228]朱瑞青,《概念隐喻视域下〈周易〉和〈圣经〉生态观念对比》,《辽宁大学学报》(哲学社会科学版)2011年第39 (1)期,第59-63页。
[展开]

相关推荐

发表评论

同步转发到先晓茶馆

发表评论

手机可扫码阅读