审美生产主义：消费时代马克思美学的经济哲学重构

 



　　　　　　　　　　　　　　　　　　　　中文摘要



 



　　作为美学与经济学在哲学层面的交叉研究，本书从马克思政治经济学中概括出“审美生产主义”理论。从现实的角度来看，本书研究的主要对象是在全球化进程中的当代西方消费社会的转型，而在此转型中，全球范围内的社会冲突和生态冲突日趋尖锐，西方主流意识形态和方法论发生了转型。从价值论的角度来看，本书所批判的西方主流意识形态是消费主义。从方法论的角度来看，本书试图超越消费主义、文化主义、社会学主义、“关系”唯心主义及去经济哲学化等理论倾向，同时针锋相对地重构马克思的经济哲学与“关系”唯物主义。作为马克思美学的一种经济哲学重构，本书所谓的审美生产主义，在与物质生产、意识形态生产、“生产性的”商业化精神生产这三种生产的联系和区别中，把艺术创造活动界定为“自由的精神生产”“非生产性的”“‘人和自然之间的物质变换’的自由活动”。根据当代消费社会的诸种新特征，分别从“活动（生产—消费）”“时间（必要的—自由的）”“需求”和“快感（生产性的—消费性的）”“关系（社会性的—自然性的）”的政治经济学的角度，把“自由的精神生产”具体界定为一种“生产”活动、在“自由时间”中展开的活动、满足人的“生产性需求”并产生“生产的欢乐”的活动、存在于“人与自然关系”中的活动。最后，在“生产者—产品—消费者”的分析框架中，本书强调，存在于艺术自由的精神生产中的自由的人与自然的关系，跟和谐的人与人的社会关系，是相互规定的。在全球化消费时代对马克思美学的经济哲学重构，具有极其广泛的意义。



 

　　　　　　　　　　　　　　　　　　　　Abstract



 



　　This book， which belongs to the
interdisciplinary research between aesthetics and economics on the
philosophical level， summarizes an Aesthetic-producerism
theory from Marx’s political economy. From the practical point of view， the main object that is studied in this book is the transformation
of the contemporary Western consumer society in globalization， in which the social and ecological conflicts worldwide are growing， and the Western mainstream ideology and methodology are also
transformed. From the point of view of the values， the
main object that is criticized in this book is the new mainstream ideology， consumerism. From the methodological point of view， this book tries to transcend such theoretic tendencies as
consumerism， culturalism， sociologism， relational idealism and de-economic-philosophization， and tries tit for tat to reconstruct the economic-philosophy and
relational materialism of Marx. As the economic-philosophical reconstruction of
Marx’s aesthetics， the Aesthetic-producerism called in
this book defines the artistic creation as the free-spirit-production and
unproductive-free-material-exchang-between-man-and-nature in contact with and
in the difference between material-production， ideological-production， productive-commercialized-spirit-production.
According to the new features of the contemporary consumer society， this book defines the free-spirit-production in detail as the
activety that is a type of production activities， carried out in free time， to meet  man’s productive demand and produce the joy
of production， in the relation-betwee-man-and-natural， respectively from the point of view of the political economy of the
activities(production-consumption)， of the
time(necessary-free)， of the demand and
pleasure(productive-consumptive)， of the
relation(social-natural). At last， in producers-products-consumers
framework， this book emphasizes that the two kinds of
relations in the free-spirit-production-of-art， the
free relation-between-man-and-nature and the harmony social-relation-between-man-and-man， are mutually determined. The economic-philosophical reconstruction
of Marx’s aesthetics in the consumer era in globalization has a wide range of
significance.