［1］Aaltonena，J；Korttib，J. From Evidence to Re-enactment：History，Television and Documentary Film［J］. Journal of Media Practice Volume 16，Issue 2，2015，Pages 108-125.
［2］Aitken，I；Ingham，M. Hong Kong Documentary Film［M］. Edinburgh：Edinburgh University Press，2015.
［3］Aitken，I. Television Documentary Film in Hong Kong：the Case of Hong Kong’s two Terrestrial Television Broadcasters［J］. Studies in Documentary Film，Volume 9，Issue 2，2015，Pages 95-113.
［4］Álvarez，I.V. Documenting Cityscapes：Urban Change in Contemporary Non-Fiction Film［M］. New York：Wallflower Press，2015.
［5］Auguiste，R. Archives and Invention：the Archives Structuring Presence in Documentary Film Practice［J］. Journal of Media Practice，Volume 16，Issue 1，2015，Pages 8-24.
［6］Bettinson，G. Hong Kong Documentary Film［J］. New Review of Film and Television Studies，Volume 13，Issue 2，April 2015，Pages 227-230.
［7］Bishop，C. Artificial Hells. Participatory Art and the Politics of Spectatorship［M］. London：Verso，2012.
［8］Chapman，J. A New History of British Documentary［M］. Hants：Palgrave Macmillan，2015.
［9］Cook，R；Vos，T；Prager，B；Hearne，J，Journalism，Politics，and Contemporary Documentaries：A “Based on a True Story” Dossier［J］. Visual Communication Quarterly，Volume 22，Issue 1，January 2015，Pages 15-33.
［10］Chu，Y. The Dogmatic Documentary：the Missing Mode［J］. New Review of Film & Television Studies，Volume 13，Issue 4，October 2015，Pages 403-421.
［11］Deprez，C；Pern，J. Post 1990 Documentary：Reconfiguring Independence［M］. Edinburgh：Edinburgh University Press，2015.
［12］Edwards，D. Independent Chinese Documentary：Alternative Visions，Alternative Publics［M］. Edinburgh：Edinburgh University Press，2015.
［13］Hagedoorn，B. Towards a Participatory Memory：Multi-platform Storytelling in Historical Television Documentary［J］. Continuum，Volume 29，Issue 4，July 2015，Pages 579-592.
［14］Kahana，J. The Documentary Film Reader：History，Theory，Criticism［M］. Oxford：Oxford University Press，1 edition，2015.
［16］Magagnoli，P. Documents of Utopia：The Politics of Experimental Documentary［M］. New York：Wallflower Press，2015.
［17］Matthews，E. The Prison Beauty Pageant：Documenting Female Prisoners in Miss Gulag and La Corona［J］. Studies in Documentary Film，Volume 9，Issue 3，Pages 220-234.
［18］Meng，J. Personal Camera as Public Intervention：Remembering the Cultural Revolution in Chinese Independent Documentary Films［J］. Studies in Documentary Film，Volume 9，Issue 2，2015，Pages 143-160.
［19］Mueller，G，Documentary，World History，and National Power in the PRC［M］. London：Routledge，2015.
［20］Orkibi，E. Judea and Samaria in Israeli documentary Cinema：Displacement，Oriental Space and the Cultural Construction of Colonized Landscapes［J］. Israel Affairs，Volume 21，Issue 3，2015（Special Issue：Judea and Samaria’s Jewish Settlers and Settlements-Cultural Sociology of Unsettled Space：A Look From Within）.
［21］Prager，B. “Documentary：Subservience to Journalism？”：A Panel Discussion with Miriam Bale，Robert Greene，and Eric Hynes［J］. Visual Communication Quarterly，Volume 22，Issue 1，January 2015，Pages 34-43.
［22］Quinn，J. Adventures in the Lives of Others：Ethical Dilemmas in Factual Filmmaking［M］. London：I.B.Tauris，2015.
［23］Ramos-Martínez，M. The Oxidation of the Documentary：The Politics of Rust in Wang Bing’s Tie Xi Qu：West of the Tracks［J］. Third Text，Volume 29，Issue 1-2，2015，Pages 1-13.
［24］Sharma，A. Documentary Films in India：Critical Aesthetics at Work［M］. Hants：Palgrave Macmillan，2015.
［25］Smaill，B. The Documentary：Politics，Emotion，Culture［M］. Hants：Palgrave Macmillan，2015.
［26］Tyson，A. Genocide Documentary as Intervention［J］. Journal of Genocide Research，Volume 17，Issue 2，April 2015，Pages 177-199.
［27］Weckbecker，L. Re-forming Vision：On the Governmentality of Griersonian Documentary film［J］. Studies in Documentary Film，Volume 9，Issue 2，2015，Pages 172-185.
［28］Weckbecker，L. Governing Visions of the Real：The National Film Unit and Griersonian Documentary Film in Aotearoa/New Zealand［M］. Bristol：Intellect Ltd，2015.
