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The Report of the China’s Performing Arts Market
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作者
李小牧 ,首都经济贸易大学副校长、经济学院教授,中宣部对外文化交流(文化贸易)研究基地首席专家,国家社会科学基金重大项目首席专家,中国国际贸易学会副会长兼服务贸易专业委员会主任。先后主持完成国家社会科学基金重大项目、教育部人文社会科学研究规划项目及北京市哲学社会科学规划重大项目等近20项。主编“服务贸易蓝皮书”“文化贸易蓝皮书”,出版专著《欧元:区域货币一体化的矛盾与挑战》等近10部,发表学术论文《文化保税区:新形势下的实践与理论探索》等30余篇。
朱克宁 ,中国演出行业协会会长、国家艺术基金评审专家,曾任原中国文化部文化市场司处长、原中国文化部文化市场发展中心主任。
李嘉珊 ,教授,北京第二外国语学院国家文化发展国际战略研究院、中国服务贸易研究院常务副院长,中央宣传部对外文化交流(文化贸易)研究基地秘书长,文化和旅游部文化和旅游研究基地首席专家,首都国际服务贸易与文化贸易研究基地首席专家。主持并完成国家级、省部级研究项目20余项,咨政成果多被采纳。著有《国际文化贸易论》《数字创意产业全球价值链研究》等学术著作,主编“一带一路”沿线主要国家文化市场研究系列丛书,发表学术论文《“一带一路”倡议背景下中国对外文化投资的机遇与挑战》等30余篇。
潘燕 ,中国演出行业协会秘书长。
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章节目录
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1. The Features of the Development of China’s Performing Arts Market
- 1.1 The Constant Growth of the Profits of Performing Arts Market
- 1.2 Distinct features of Different Performances
- 1.2.1 Musical Performances
- 1.2.2 Dancing Performances
- 1.2.3 Theaters
- 1.2.4 Chinese folk art and acrobatics performance
- 1.2.5 Tourism performances and entertainment shows
- 1.3 Performing theaters and groups optimize their arrangement.
- 1.3.1 Modern management system for theatres and groups has been established gradually.
- 1.3.2 Self-run performances in theatres increase. Status of industry is optimized.
- 1.4 Performing arts agencies flourish.
- 1.4.1 The IP-orientated copyright income boosts and the excessive entertainment structure emerges.
- 1.4.2 The niche artists’ performances and programs are co-operated in series.
- 1.5 Government transforms its supporting patterns.
- 1.6 Performing arts develop with the Internet.
- 1.7 The capital begins to flow into performing arts market.
- 1.7.1 The capital invests relatively slow into performing arts market.
- 1.7.2 Second-tier ticket platforms are favored by capital.
- 1.7.3 The resource of performance fund grows mature and crowd-funding becomes a highlight.
- 1.8 The integration of China’s performing arts market speeds up.
- 1.8.1 The main business expands diversely.
- 1.8.2 The cross-integration in performing arts market stands out.
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2. Characteristics of China’s Performing Arts Market’s Foreign Trade in 2016
- 2.1 Performing arts markets share a closer tie.
- 2.2 The import of performing arts industry propels its export.
- 2.3 Performances’ export goes up.
- 2.3.1 Increase in the export
- 2.3.2 The export is dominated by play-output trading.
- 2.4 Performing theatres and groups long for opportunities of “going global”.
- 2.5 Large-scale Cultural Exchange Programs Seeking Market Transition
- 2.6 Increasing Investment and Financing in the Copyright of Overseas Performing Arts
- 2.7 Establishment of National Performing Arts Trade Service Platform
- 2.8 Cultural Funds Promoting the Foreign Trade of Performing Arts
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3. Urgent Problems to be Solved in the Foreign Trade of Performing Arts in China in 2016
- 3.1 Urgent Need to Establish a Systematic Statistical Evaluation System
- 3.2 Lack of Excellent Performing Arts Brands and Passive Internationalization for Performing Theaters and Groups
- 3.3 Imperfect Modern Enterprise System
- 3.4 Lack of Foreign-Oriented Management Personnel for Performing Arts
- 3.5 Imperfect Financing Environment for Performing Arts
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4. Advice for Promoting the Foreign Trade of China’s Performing Arts
- 4.1 Building World-Renowned Theaters and Groups with Chinese Characteristics
- 4.1.1 Effective Connection between Policy and Market.
- 4.1.2 Establishment of the National Honor System with Chinese Characteristics.
- 4.1.3 Exerting Effort to Build Diversified Market Entities.
- 4.1.4 Enriching the Trade Pattern of Performance Products and Services.
- 4.2 Seeking Innovation for Mechanism of Theaters and Groups
- 4.3 Constructing a Scientific Statistical Evaluation System for Performing Theaters and Groups
- 4.4 Boosting Trade of Performing Arts with Countries along B&R
- 4.5 “Going Global” of Performing Theaters and Groups to Help Cultural Exchange
- 4.6 Optimizing the Investment and Financing System for Performing Arts Industry
- 4.7 Improving the Talents Training Mechanism for Performing Arts Creation and International Operation and Management
- 4.1 Building World-Renowned Theaters and Groups with Chinese Characteristics
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